About Jem And The Holograms

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Comment For Jem And The Holograms Official Full Movie

Name : Ben Sachs / Alias : Chicago Reader
Jon M. Chu, who directed the concert doc Justin Bieber: Never Say Never, maintains a lively pace, and there's some cute business involving a robot that communicates through music.

Name : Alan Scherstuhl / Alias : Village Voice
The movie's poky and confused, never clearly setting up its conflicts and blowing far too much of its running time on a National Treasure clue-hunt for messages Jem's father programmed into a sassy dancing robot.

Name : Sara Stewart / Alias : New York Post
Director Jon Chu stretches "Jem" to a ridiculous 2 hours, via endless amateur-musician YouTube clips. Anyone can be a star, they attest - and always be yourself! (Except when you're Jem. I guess.)

Name : Scott Tobias / Alias : NPR
Jem and the Holograms is Mac and Me to Josie and the Pussycats' E.T.

Name : Julia Cooper / Alias : Globe and Mail
There's hardly tension, barely any drama and the sugar high you might expect from an eighties redux is replaced by a dull aspartame buzz.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Its one saving grace is that Chu's direction is so wildly inconsistent that it manages to produce a handful of genuinely gorgeous images alongside all of the cruddy ones.

Name : Linda Barnard / Alias : Toronto Star
Jem has lost her outrageousness and gained a robotic sidekick in an overlong, low-budget big-screen reboot of the 1980s toy-selling cartoon series.

Name : Leah Greenblatt / Alias : Entertainment Weekly
As silly and sometimes nonsensical as it is, the movie is surprisingly sweet and well-intentioned.

Name : Jim Slotek / Alias : Toronto Sun
After a few crackling, resonant digital-age scenes in the opening act, the filmmakers settle in and make Jem into a mediocre Disney Channel movie - with, for no good reason, a pet robot.

Name : Molly Lambert / Alias : Grantland
What it lacks in humor it makes up for in sheer weirdness - it's a master class in How Did This Get Made? It feels focus-grouped to within an inch of its life, but it's so strange that it's impossible to imagine what process led us here.

Name : Patrick Dunn / Alias : Detroit News
Hardcore fans won't find much of the Jem they loved under the movie's achingly hip millennial trappings, while young newcomers will be left wondering what a robot has to do with a rock band.

Name : Alonso Duralde / Alias : TheWrap
Even though I wish the songs themselves were stronger, there's an energy and a vibrancy to the movie that its young target audience will appreciate.

Name : Frank Scheck / Alias : Hollywood Reporter
Not being part of the generation that watched the show, I can't vouch for its merits. But it's safe to say that it must be miles ahead of this wan, bloated screen version which forgoes the original's sci-fi and thriller aspects.

Name : Neil Genzlinger / Alias : New York Times
It seems to be merely tossing ideas into the pot that it thinks might appeal to 9-year-olds.

Name : Rebecca Keegan / Alias : Los Angeles Times
In revisiting the pop rock quest of a multiracial group of adopted sisters in suburban California, Chu has made a stylish and self-aware musical fantasy for the YouTube generation.

Name : Geoff Berkshire / Alias : Variety
The film seems inexplicably embarrassed by its roots, instead serving up half-baked and self-consciously contemporary drama that no one in the sure-to-be minimal theatrical audience will remember quite so fondly some 30 years on.

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About The Hobbit: The Battle Of The Five Armies

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1. Click link/button before this section (WATCH/DOWNLOAD button)

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4. Click register

5. Congratulations, you've got access to watch and download all the movies available on the server (including The Hobbit: The Battle Of The Five Armies movie).

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Screen Of The Hobbit: The Battle Of The Five Armies

Comment For Premium Montre The Hobbit: The Battle Of The Five Armies Full ☢☢ [SECRET]

Name : Bruce Ingram / Alias : Chicago Sun-Times
Fighting - presented with Jackson's usual double helpings of visual splendor, emotional oomph and low-key comedy - is what "Battle of the Five Armies" is all about.

Name : Rene Rodriguez / Alias : Miami Herald
OK, Mr. Jackson, you proved your point by landing the big finish. Now please, no more Middle-earth, ever.

Name : Scott Foundas / Alias : Variety
The result is at once the trilogy's most engrossing episode, its most expeditious (at a comparatively lean 144 minutes) and also itsdarkest - both visually and in terms of the forces thatstir in the hearts of men, dwarves and orcs alike.

Name : Jonathan L. Fischer / Alias : Slate
It may occasionally seem to be aware of its undiluted preposterousness, but that hardly eases the experience of sitting through its endless cartoonish action sequences and overwrought emotional payoffs.

Name : Steven Rea / Alias : Philadelphia Inquirer
If you want to see a Renaissance faire turned into an apocalyptic battlefield, this is the ticket.

Name : Alan Scherstuhl / Alias : Village Voice
It's sad that Hollywood filmmaking is so often about attempting to put the dreams of children onto our screens, but shouldn't it still be notable when someone actually manages it?

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Whose story is this? There's an old saying that history is written by the winners. The screenplay for "The Hobbit: The Battle of the Five Armies" must have been written by elves.

Name : Chris Nashawaty / Alias : Entertainment Weekly
While more than enough praise has been poured on Jackson and his singular gift for CG spectacle, Martin Freeman deserves some credit for lending humor and humanity to what could have been a numbing orgy of pixelated mayhem.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
This third installment of The Hobbit trilogy is allegedly the shortest of all of Peter Jackson's Tolkien films, but my theater must have been orbiting a black hole because I could swear it swallowed up 20 years of my life.

Name : Wesley Morris / Alias : Grantland
Untold manpower, pixels, and money culminate in the gangbusters final installment. It can't redeem the useless tedium of the first two, which exist for gargantuan profits and structural necessity.

Name : Michael O'Sullivan / Alias : Washington Post
Jackson's storytelling at this point is so driven by green-screen trickery and digital legerdemain that he seems to have forgotten about human emotion.

Name : Todd McCarthy / Alias : Hollywood Reporter
Third time's a charm for the mammoth screen version of Tolkien's little persons' odyssey.

Name : Kerry Lengel / Alias : Arizona Republic
Tolkien's richly imagined novels served as the template for an entire genre of "epic fantasy," and the opportunity to spend a final 144 minutes inside that world . is more than worth the price of a 3-D movie ticket.

Name : Joe Morgenstern / Alias : Wall Street Journal
The pleasure is intense, and mixed with awe. There is majesty here, and not just because we're in the presence of magnificently regal madness.

Name : Christopher Orr / Alias : The Atlantic
What is perhaps most depressing about Jackson's swollen Hobbit enterprise is the way it retrospectively diminishes his Lord of the Rings trilogy.

Name : Drew Hunt / Alias : Chicago Reader
Mindless CGI spectacle overpowers every aspect of Peter Jackson's concluding Tolkien adaptation; like the other installments of this lumbering trilogy, it's more tech-demo than movie.

Name : Peter Travers / Alias : Rolling Stone
Talk about beating a dead orc. In dutifully completing his prequel trilogy to his Lord of the Rings triumph, Peter Jackson has sadly saved the worst for last. The Battle of the Five Armies is 20 percent inspiration, 80 percent desperation.

Name : John Wenzel / Alias : Denver Post
It's a big, bold, schizophrenic pageant that still manages to work on a surprising number of levels - creative liberties and indulgences be damned.

Name : Mary Ann Gwinn / Alias : Seattle Times
The best of the three "Hobbit" movies, moving from an enjoyable action/battle movie with fantastic visuals into the realm of authentic tragedy.

Name : Jake Coyle / Alias : Associated Press
The magic, fleeting to start with, is mostly gone.

Name : Mick LaSalle / Alias : San Francisco Chronicle
[Freeman] could have made a great Bilbo. Instead he's the one thing that has made this trilogy bearable.

Name : Claudia Puig / Alias : USA Today
The final installment of the Hobbit trilogy is the best, featuring more spectacular action scenes as well as the series' most emotionally resonant moments.

Name : Richard Corliss / Alias : TIME Magazine
If The Hobbit doesn't equal the achievement of Jackson's earlier Middle-earth movies - and, honestly, what could? - it is still, in sum, a thrilling effort.

Name : Tom Huddleston / Alias : Time Out
More battles, more creatures, more not-quite-comical asides, more stern speechifying and more gob-smackingly elaborate action set pieces.

Name : Rafer Guzman / Alias : Newsday
A passably satisfying ending to a franchise that has always seemed a little like a bonus DVD.

Name : Inkoo Kang / Alias : TheWrap
"The 144-minute running time showcases Jackson's worst tendencies: eons-long battle scenes, sloppy and abrupt resolutions, portentous romances, off-rhythm comic timing, and, newly in this case, patience-testing fan service."

Name : Nicolas Rapold / Alias : New York Times
Bilbo may fully learn a sense of friendship and duty, and have quite a story to tell, but somewhere along the way, Mr. Jackson loses much of the magic.

Name : James Berardinelli / Alias : ReelViews
The best film of The Hobbit's three, this final installment is closer in quality to The Lord of the Rings than to its immediate predecessors.

Name : Michael Phillips / Alias : Chicago Tribune
By the second hour of The Battle of the Five Armies, the visual approach becomes a paradox: monotonously dynamic epic storytelling.

Name : Betsy Sharkey / Alias : Los Angeles Times
Five armies are too many.

Name : Randy Myers / Alias : San Jose Mercury News
While it's true that none of the "Hobbit" films were as good as any in the "Rings" trilogy, "The Five Armies" at least comes closest to capturing Tolkein's essence. And in this instance that is good enough.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's designed to leave the audience drained and exhilarated, and from its opening scenes of exploding awesomeness there's no looking back.

Name : Kyle Smith / Alias : New York Post
It's adequately visionary, it's routinely spectacular, it breathes fire and yet somehow feels room-temperature.

Name : Ty Burr / Alias : Boston Globe
Jackson has marched the modern fantasy-action epic into a thundering blind alley; the movie exhausts your senses without ever engaging your imagination.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It was too much, and it was not enough.

Name : A.A. Dowd / Alias : AV Club
All this plot unfolds like obligation, a paragraph of book-report summary bulked up to feature length.

Name : Tom Long / Alias : Detroit News
Well, at least there won't be another one for a while.

Name : Andrew O'Hehir / Alias : Salon.com
Considered as contemporary CGI-driven action-adventure cinema, and as the template for a new generation of video games, they are rich and entertaining. Even in the decadent phase of his genius, Jackson remains an expert world-builder and image-maker.

Name : John Semley / Alias : Globe and Mail
It plays out as if someone chucked a whole bunch of carefully detailed Warhammer figurines into a centrifuge - goblins, goats, dwarfs, wizards and wolves bouncing off one another in waves of alternating tedium and punishment.

Name : Joe Neumaier / Alias : New York Daily News
There's far too many moments of sabre-rattling, and too much confusion about who is aligned with whom, and why. Those who know and love Tolkien's texts will have a vested interest. Everyone else may grow restless.

Name : Peter Howell / Alias : Toronto Star
What looked like indulgent folly at the outset now seems closer to epic justification, as Peter Jackson's The Hobbit trilogy draws to a rousing close.

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