Name : A.A. Dowd / Alias : AV Club
Blackjack is more of a noose than a needle for this self-destructive blowhard, and if that sounds less dramatic than the tale of a man who just can't walk away from the table, it is significantly funnier.

Name : Moira MacDonald / Alias : Seattle Times
A dull, self-consciously arty wallow in the messed-up life of a character we don't care about.

Name : Stephen Whitty / Alias : Newark Star-Ledger
If someone is really that intent on self-destruction, why should we be his audience?

Name : Peter Travers / Alias : Rolling Stone
The hopeful ending comes off as too little, too late. Wahlberg gives the role his all, but sticking with him is a futile gesture. The Gambler never pays off. It's a sucker's bet.z

Name : Manohla Dargis / Alias : New York Times
What's mostly missing from "The Gambler" is a sense of why Jim is so insistent on squandering his money, privilege and patrimony.

Name : Mark Olsen / Alias : Los Angeles Times
By suppressing Wahlberg's more typical sparkling unpredictability, this new reading of the character recasts him into someone more frustrating than free.

Name : Jocelyn Noveck / Alias : Associated Press
We didn't really care enough about Jim to be invested in his ultimate fate.

Name : Stephanie Zacharek / Alias : Village Voice
Wyatt . brings some bristly, swaggering energy to the thing, and that in turn may have loosened Wahlberg up: He's both more intense and freer than he's been in years.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Despite terrific, witty performances by Williams and Goodman, most of the talent is wasted in this picture.

Name : Andrew O'Hehir / Alias : Salon.com
An agreeable if ridiculous slice of old-school Hollywood machismo .

Name : Liam Lacey / Alias : Globe and Mail
Slick but slight, The Gambler is an unnecessary remake of a well-regarded 1974 film.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
As The Gambler becomes less about its protagonist's dashed intellectualism and more about the gathering danger of his predicament, the film gains power.

Name : Stephanie Merry / Alias : Washington Post
Watching a hostile pessimist purposefully sabotaging his own good fortune just isn't as fun as it sounds.

Name : Rafer Guzman / Alias : Newsday
Low on action and tension, long on grand speeches. Wahlberg gets an A for effort in an unlikely role.

Name : Kyle Smith / Alias : New York Post
This remake of the 1974 James Caan film written by James Toback . crackles with mordant cynicism.

Name : Elizabeth Weitzman / Alias : New York Daily News
Whether Wahlberg's been miscast or misdirected, we never buy him as a desperate addict. Still, the movie is so quick and cool that for much of the time, we barely notice how little is actually at stake.

Name : Justin Chang / Alias : Variety
There's enough swaggering cynicism for three pictures but barely enough soul to sustain even one in Rupert Wyatt's "The Gambler," a stylish, energetic but disappointingly glib remake of Karel Reisz's still-potent 1974 drama of the same title.

Name : Kristin Tillotson / Alias : Minneapolis Star Tribune
A string of powerful performances, particularly Wahlberg's, and a killer soundtrack - including M83, Dinah Washington and St. Paul & the Broken Bones - redeem a middling entertainment gambit.

Name : Barbara VanDenburgh / Alias : Arizona Republic
The return is as miniscule as the stakes.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
In a role that would have been ideal for Tom Cruise in psycho mode, Wahlberg is merely OK. Unfortunately, the film's effectiveness turns on whether we buy into his angst.

Name : Rene Rodriguez / Alias : Miami Herald
The Gambler is about the torturous dissatisfaction some people feel when they've managed to do everything right but still don't feel fulfilled

Name : Peter Keough / Alias : Boston Globe
It's just like the Kenny Rogers song says: "You've got to know when to hold 'em, know when to fold 'em." It's time for this "Gambler" to walk away.

Name : Todd McCarthy / Alias : Hollywood Reporter
In nearly every scene, Wahlberg carries off the central role with what could be called determined elan.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The one bit of good news is that the first Gambler is currently streaming on Netflix. Do yourself a favor and watch that one instead.

Name : Claudia Puig / Alias : USA Today
The Gambler is a hollow, overwrought and glibly cynical remake of a '70s drama about a self-destructive academic.

Name : Rex Reed / Alias : New York Observer
Another wet battery about a week in the life of a gambling addict.

Name : James Berardinelli / Alias : ReelViews
The Gambler is a solid remake - a film that retraces the path of the original while carving out its own identity.

Name : Peter Howell / Alias : Toronto Star
This certainly is one driven narrative. Wahlberg reportedly lost 60 lbs. for the role, and his gaunt look makes Jim seem all the more haunted as he repeatedly throws away vast sums on games of chance.

Name : Alonso Duralde / Alias : TheWrap
It's no mystery why actors and directors want to relive the magic of American studio movies from the fabled 1970s, but if you're not going to take the risks that the originals did, or illuminate as much about the characters, why redo them at all?

Name : Mick LaSalle / Alias : San Francisco Chronicle
This is Techine's gift - not just detail, but telling detail; and not just slices of life, but slices as rich as a cassata cake.

Name : Rex Reed / Alias : New York Observer
The film is based on a play, but it is to the director's credit that it never shows the claustrophobic trappings of a proscenium stage.

Name : David Jenkins / Alias : Time Out
The film's big strength is its unwillingness to dish out easy answers

Name : Rene Rodriguez / Alias : Miami Herald
Like Techine's best films, the movie appears to be a story about nothing - until it suddenly becomes a meditation on the vagaries of the human heart.

Name : Owen Gleiberman / Alias : Entertainment Weekly
Techine has made a half-captivating, half-baffling tease of a movie in which one woman's destructive whim has the effect of making anti-Semitism look like a myth.

Name : Martin Tsai / Alias : Los Angeles Times
A paper-thin plot ornamented with distractions: a nonlinear narrative, unreliable narrators, flatulent dialogue and awkward post-production work.

Name : Andrea Gronvall / Alias : Chicago Reader
Techine glosses over the story's most potent issue: France's complicated relationship with its Jewish community.

Name : Bernard Besserglik / Alias : Hollywood Reporter
The movie is held together.by the fluidity of his style and his characteristic blend of lightness and gravity.

Name : Scott Tobias / Alias : AV Club
Given several years' distance from the media blitz, Techine brings clarity, maturity, and perspective to the case while still subtly addressing all the thorny social issues the affair touched off.

Name : Kenneth Turan / Alias : Los Angeles Times
Don't expect any kind of neo-documentary examination of cause and effect. That's not filmmaker Andre Techine's style, and this is one of his most successful films.

Name : Ella Taylor / Alias : Village Voice
For better or worse, there isn't a human experience that French director Andre Techine can resist lathering into a tone poem.

Name : Manohla Dargis / Alias : New York Times
A seductive drama.

Name : Steven Rea / Alias : Philadelphia Inquirer
The Girl on the Train reverberates with a quiet, seductive power.

Name : V.A. Musetto / Alias : New York Post
It is Dequenne who holds the film together - she and Techine's youthful touch, which belies his 66 years.

Name : Michael O'Sullivan / Alias : Washington Post
It's a well-acted, but frustratingly inconclusive exercise.

Name : Anthony Lane / Alias : New Yorker
At the age of sixty-six, [Techine] approaches the exploits of his characters with a gusto, and a willingness to be led astray, that borders on the adolescent.

Name : Ronnie Scheib / Alias : Variety
Techine fashions a brilliantly complex, intimate multi-strander, held together but somewhat skewed by the central perf of Emilie Dequenne.

Name : Roger Ebert / Alias : Chicago Sun-Times
The movie seems likely to be about anti-Semitism, but that's more the occasion than the subject.

Name : Wesley Morris / Alias : Boston Globe
A movie whose blitheness doesn't know when to quit.

Name : James Berardinelli / Alias : ReelViews
Although the main character's motivations remain largely a matter of conjecture, The Girl on the Train is a compelling piece of cinema.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Although this stylish and ominously paced vehicle starts with a full itinerary, it never makes a vital connection.

Name : David Fear / Alias : Time Out
Techine offers a character study in lieu of context for the similar 2007 hoax that threw the French press into a tizzy, and like many of his best films, this what-if examination works best as an actors' showcase.