Name : Bill Goodykoontz / Alias : Arizona Republic
It is a harrowing journey, and an inspirational one. But, as director, Jolie takes far too long to tell it, particularly in such a conventional manner.

Name : Liam Lacey / Alias : Globe and Mail
A beautifully shot, well-acted, and worthy-to-a-fault Second World War survivor story that only intermittently achieves the kind of emotional impact for which it aims.

Name : Ty Burr / Alias : Boston Globe
"Unbroken" stirs a moviegoer by default; it's an astounding story of human endurance that has been brought a little too safely to the screen.

Name : Claudia Puig / Alias : USA Today
Though O'Connell's vulnerable lead performance is terrific, Unbroken's unrestrained hero worship undermines the story.

Name : Colin Covert / Alias : Minneapolis Star Tribune
As a castaway story, a historical drama and a portrait of an Olympian turned soldier, "Unbroken" is a touching and important work.

Name : Michael Phillips / Alias : Chicago Tribune
"Unbroken" makes for a grueling experience, which is not quite the same as a memorable one.

Name : Joe Neumaier / Alias : New York Daily News
This great, tough-skinned movie can stand with the muscular action dramas that are a crucial part of American movie canon.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Handsome, alert and intensely focused, little-known English actor Jack O'Connell is a fine choice as Louis. And Japanese pop star Takamasa "Miyavi" Ishihara shines as "The Bird,' Louis' sadistic captor and war criminal in training.

Name : Connie Ogle / Alias : Miami Herald
The bigger problem is that neither Jolie nor the script bothers to flesh Louis out as a fully formed person with faults and fears and regrets, which keeps the film from ever capturing you emotionally.

Name : Amy Nicholson / Alias : L.A. Weekly
Jolie is more fixated on gore than grace. In making us feel every crushing blow - the better to burnish her reputation as a serious director - we're shortchanged on the beauty of Zamperini's story

Name : Moira MacDonald / Alias : Seattle Times
You find yourself happy that this film exists, but wishing it were better.

Name : Rafer Guzman / Alias : Newsday
Well-crafted and compelling, but director Angelina Jolie's best contribution was casting the unknown Miyavi in a pivotal role.

Name : Keith Uhlich / Alias : AV Club
Though Jolie is shooting for Christ-like passion and redemption, she only ends up slathering one man's very real, very morbid struggles in the usual reductive "greatest generation" sentiment.

Name : Peter Travers / Alias : Rolling Stone
This passion project for Angelina Jolie shines with her abiding love for Louis Zamperini and his courage under fire. In honoring Louis' endurance, she does herself proud.

Name : Cath Clarke / Alias : Time Out
Angelina Jolie's film as a director is a gorgeously shot and hardhitting old-school war drama - but still somehow fails to get under its subject's skin.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
If you can take it, "Unbroken" will lift you like the classics of adventure cinema.

Name : Kyle Smith / Alias : New York Post
More a series of similar events than a story, and lacks an underlying message except that torture hurts.

Name : Randy Myers / Alias : San Jose Mercury News
Given its subject, it should have been great, but it turns out to be simply good.

Name : David Hiltbrand / Alias : Philadelphia Inquirer
Unbroken is a fitting title for this excruciating cinematic treatment of the flyboy's ordeal. It plays like an endless, unrelieved gauntlet of suffering, an onslaught untempered by grace or redemption.

Name : Lindsey Bahr / Alias : Associated Press
Jolie hasn't done a disservice to Zamperini's life, but it's hard to know what she was trying to tell. It's Zamperini's story in fact and circumstance, but somehow, he feels like an enigma.

Name : Peter Rainer / Alias : Christian Science Monitor
Zamperini's life story is genuinely inspirational, but the movie seems fashioned as a standard-issue profile in courage.

Name : Richard Roeper / Alias : Richard Roeper.com
In a well-made, but one-note film.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
If nothing else, it's certainly better than the last time a good-looking Hollywood star decided to direct a movie about WWII. But the less said about George Clooney's The Monuments Men, the better .

Name : Manohla Dargis / Alias : New York Times
What the movie ends up in desperate need of is a sense of life made real and palpable through dreadful, transporting details, not a life embalmed in hagiographic awe.

Name : Andrew O'Hehir / Alias : Salon.com
"Unbroken" is a rousing old-fashioned yarn with numerous exciting set-pieces and an uncomplicated hero you root for all the way through. It's entertaining throughout and made with a high level of technical skill.

Name : Alonso Duralde / Alias : TheWrap
The film boasts both sheen and efficiency without always delivering an equivalent emotional impact. It's easier to be awed or impressed by it than moved.

Name : James Berardinelli / Alias : ReelViews
There's a lot to like about the movie. Its presentation is straightforward, chronicling Zamperini's amazing tale without flinching.

Name : David Denby / Alias : New Yorker
An interminable, redundant, unnecessary epic devoted to suffering, suffering, suffering.

Name : Peter Howell / Alias : Toronto Star
For Jolie, it's all about the suffering, without much meaning.

Name : Justin Chang / Alias : Variety
A bit embalmed in its own nobility, it's an extraordinary story told in dutiful, unexceptional terms, the passionate commitment of all involved rarely achieving gut-level impact.

Name : Kenneth Turan / Alias : Los Angeles Times
Despite its many impressive elements, "Unbroken" plays incomplete and unbalanced.

Name : J. R. Jones / Alias : Chicago Reader
A straightforward and entirely commendable story about the triumph of the human spirit, etc.

Name : David Edelstein / Alias : New York Magazine/Vulture
Jolie gets the dirty/ennobling job done.

Name : Rex Reed / Alias : New York Observer
One of the finest achievements of the 2014 film year.

Name : Joe Morgenstern / Alias : Wall Street Journal
A tale of endurance, "Unbroken" takes endurance to sit through.

Name : Michael O'Sullivan / Alias : Washington Post
The truest testament to the film's strength is the degree to which it all but achieves greatness.

Name : Todd McCarthy / Alias : Hollywood Reporter
This will be a tough film for some to take. But it also has strong appeal as an extraordinary survival story, and Laura Hillenbrand's first-rate book that inspired it has not been on the best-seller lists for four years for nothing.

Name : Richard Corliss / Alias : TIME Magazine
Jolie has made a grand, solid movie of the Zamperini story, but O'Connell is the part of Unbroken that was truly worth the wait.

Name : Wesley Morris / Alias : Grantland
All the movie's tension comes down to whether Zamperini can withstand Watanabe's abuse, which is probably when it's helpful to forget the title.

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's moving, admirable, and occasionally exhilarating. What it's missing is the one thing that could always be counted on with Jolie as a star: the spark of danger.

Name : Mick LaSalle / Alias : San Francisco Chronicle
A good 45 minutes of the movie consists of showing Louis getting beaten up, then healing; getting beaten up, then healing, over and over.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Sure, MacFarlane can write simple jokes as long as the 'f' key on his laptop holds out. Some of them are even funny. But a lot of them don't pay off, and most trod the same well-worn territory - potheads, practical jokes, politically-incorrect cliches.

Name : A.A. Dowd / Alias : AV Club
The comedy, as expected, is scattershot.

Name : Frank Scheck / Alias : Hollywood Reporter
Ted's Boston-accented zingers are expertly delivered by the director/star, whose voice talent is undeniable, and Wahlberg again demonstrates that he's skilled at comedy . Seyfried proves adept as well .

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The uneven and overly long Ted 2 manages to find moments of uproarious, if raunchy and groan-inducing, humor from today's hot-button headlines. At its best, it's better than Ted 1.0. At its worst, it's like, well, a Seth MacFarlane movie.

Name : Bill Goodykoontz / Alias : Arizona Republic
The film, like most of MacFarlane's work, is a mix of occasional laugh-out-loud moments - there are some here - and cringe-worthy misfires that play a lot more tone-deaf than he seems to intend.

Name : Alan Scherstuhl / Alias : Village Voice
Detestable even as it's charming and ingratiating.

Name : Tony Hicks / Alias : San Jose Mercury News
I didn't want to laugh. I swear. But I did laugh at "Ted 2." A lot.

Name : Mick LaSalle / Alias : San Francisco Chronicle
MacFarlane is cynical, but he's not a cynic, and there are moments in "Ted 2" where you can sense a longing for the gentler and more upbeat entertainment of an earlier generation.

Name : Chris Nashawaty / Alias : Entertainment Weekly
You realize what it must be like to be trapped in detention with a bunch of 15-year-old boys who think there's nothing more hilarious than repeating the same jokes about porn, pot, and pulling your pud over and over again. It's funny, until it's not.

Name : Dan Callahan / Alias : TheWrap
Bad taste needs to be more honest and more all-inclusive if it's to make a lasting impression, and MacFarlane's bad taste here is both too wishy-washy and too knee-jerk cruel to really make any impact.

Name : Michael Phillips / Alias : Chicago Tribune
I've seen worse comedies this year, and I'll see better.

Name : Scott Foundas / Alias : Variety
In its own, sweetly subversive way, this might be just the tolerance plea America needs right now - a movie that says, in effect, "Love thy plushie as thyself."

Name : Soren Anderson / Alias : Seattle Times
In the midst of comedy, seriousness. The combination feels forced. A more disciplined and smarter director might have been able to successfully blend the two elements, but crude dude MacFarlane hasn't the skill to bring it off.

Name : David Ehrlich / Alias : Time Out
MacFarlane's preference for quantity over quality results in a lot of dead air, but the gags that land are howlers, and all of its crudeness (and racism, and sexism, and homophobia, etc.), the movie beats with a real heart.

Name : Stephanie Zacharek / Alias : Village Voice
I laughed and laughed at Ted 2 - as I did at the 2012 Ted - and I can hardly tell you what that says about me, let alone about you.

Name : Jacob Hall / Alias : New York Daily News
Once again, you will believe that a talking CGI stuffed animal can be a racist, hateful monster with no redeeming qualities . but his greatest sin is that he's not funny.

Name : Lindsey Bahr / Alias : Associated Press
In an admirable effort to go a different route, MacFarlane has instead done something hopelessly bizarre: He's given his film too much sincerity and story, and it practically crushes whatever fun does exist.