About Insidious: Chapter 3

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Screen Of Insidious: Chapter 3

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Name : Cath Clarke / Alias : Time Out
Don't expect any spills or chills: this is more insipid than insidious.

Name : Scott Foundas / Alias : Variety
Chief among things that go bump in the night in "Insidious: Chapter 3" is the movie itself - a thuddingly dull prequel to James Wan's very enjoyable (and highly profitable) demonic-possession horror franchise.

Name : Brad Wheeler / Alias : Globe and Mail
The result is a warm-hearted frightening, about love and loss and, yes, next chapters.

Name : Katie Rife / Alias : AV Club
Surprisingly thematically rich for the third installment of a horror franchise.

Name : Ben Sachs / Alias : Chicago Reader
The quiet stretches actually serve their purpose here, creating a sense of intimacy with the characters as opposed to simply marking time between the shocks.

Name : Stephen Whitty / Alias : Newark Star-Ledger
You need more than a few sudden noises and scary shocks to make a good horror movie. But "Insidious: Chapter Three" is at least an OK horror movie.

Name : Andy Webster / Alias : New York Times
Mr. Whannell wisely retains the series' secret weapon, Ms. Shaye, a seasoned performer of range, moxie and limitless charm.

Name : Michael Ordona / Alias : San Francisco Chronicle
"Insidious: Chapter 3" is simply not scary. Not a bit, not a whit. Except that the audience will be terrified of the next stabbing of their eardrums, at generally predictable intervals.

Name : James Berardinelli / Alias : ReelViews
They say the third time's the charm. Not with the Insidious series, it isn't.

Name : Michael O'Sullivan / Alias : Washington Post
The "Insidious" franchise, after three attempts to exorcise its real demons, still can't seem to shake what really haunts it: the ghost of B-movies past.

Name : Peter Keough / Alias : Boston Globe
Punctuated by intermittent, bogus jump-scares, the plot thickens into opacity.

Name : Kerry Lengel / Alias : Arizona Republic
"Insidious: Chapter 3" is almost more a spoof of a classic like "The Exorcist" than it is an homage. It's not scary horror, it's silly horror, and the audience is in on the joke.

Name : Christy Lemire / Alias : RogerEbert.com
I leapt out of my seat and grabbed the arm of the critic sitting next to me so often (and he did the same, although he shall remain nameless) that you'd think we'd never seen a horror movie before.

Name : Peter Howell / Alias : Toronto Star
This prequel to the shriek hell, directed and scripted by series writer/actor Leigh Whannell, manages to avoid the Curse of the Triple Cash Grab.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
You sort of want to give the movie a pass. But given its distinguished forebears, Insidious: Chapter 3 doesn't quite live up to expectations.

Name : Gary Goldstein / Alias : Los Angeles Times
It stands well on its own as a jumpy spookfest.

Name : Kyle Anderson / Alias : Entertainment Weekly
Insidious Chapter 3 is the worst kind of sequel: Not terrible, but also cartoonishly unnecessary.

Name : Alonso Duralde / Alias : TheWrap
Pretty much what you'd expect, from the shrieking musical riff under the main titles onward, but as a vehicle for veteran character actress Lin Shaye, it's a blast.

Name : Gary Thompson / Alias : Philadelphia Inquirer
Writer-directors Wan and Whannell are best known for their grisly Saw movies, but they seem to prefer the classic lines of old-school horror.

Name : Simon Abrams / Alias : Village Voice
Tepid ghost story Insidious: Chapter 3 tries and fails to emphasize character-driven drama over cheap, jump-scare-intensive thrills.

Name : Brian Truitt / Alias : USA Today
A prequel story that puts the spotlight squarely on its leading lady and aims to be more heartfelt than horrifying.

Name : Katharine Pushkar / Alias : New York Daily News
"I was scared at least 10 times," I heard someone say upon leaving the theater. Not bad.

Name : Justin Lowe / Alias : Hollywood Reporter
Insidious: Chapter 3 offers a relatable young protagonist and several key supporting players from the prior films in a nimble setup to the series.

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About The Longest Ride

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4. Click register

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Name : Alonso Duralde / Alias : TheWrap
The real love story is between Eastwood and David Tattersall's camera, which spends so much time leering over the actor's cheekbones, abs and other attributes that you begin to wonder if someone's going to call Human Resources.

Name : Joe Morgenstern / Alias : Wall Street Journal
Conforms to a timeworn, and shopworn, Sparks formula of troubled protagonists receiving wisdom, or inspiration, or both, from unexpected sources.

Name : Liam Lacey / Alias : Globe and Mail
Eventful, polished, and knuckle-bitingly dull, the 10th film adapted from a novel by Nicholas Sparks, combines fate, bull riding and some powerful Hollywood bloodlines among its young cast.

Name : Stephanie Merry / Alias : Washington Post
People don't go to Sparks movies for subtlety; they go to warm their hearts by bearing witness to true love. Of course, that requires a story that rings true. In "The Longest Ride," authenticity is in short supply.

Name : Peter Howell / Alias : Toronto Star
It runs a long 128 minutes. You have to wade through not just puddles of tears, but also piles of BS.

Name : Joe Neumaier / Alias : New York Daily News
If this is your particular poison, it won't kill you. But anyone averse to Sparks' sappy touch may get sick from all the bull.

Name : Richard Roeper / Alias : Chicago Sun-Times
"The Longest Ride" treats us to a twist that's so ridiculous I think we're almost supposed to laugh. It's not quite on the "Are you KIDDING ME!?" level of awfulness as the big reveal in "Safe Haven," but it's close. It's close.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The movie has nowhere to go and spends more than two hours getting there.

Name : Christy Lemire / Alias : ChristyLemire.com
The Longest Ride is pretty darn tolerable - and sometimes even enjoyable - not just for fans but also for regular people who are, you know, cynical.

Name : Soren Anderson / Alias : Seattle Times
Carolina settings, star-crossed lovers, elements of tragedy: Sparks' formula works. Get out your handkerchiefs, and rest assured that there will be uplift at the end.

Name : Rafer Guzman / Alias : Newsday
The young Eastwood is better than you might expect, though it's Chaplin who shines in this Nicholas Sparks romance.

Name : Michael Phillips / Alias : Chicago Tribune
Even when Eastwood and Robertson, pleasant enough company, threaten to float off the screen, "The Longest Ride" glides along and delivers its reheated comfort food by the ton.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Everything in the movie is suffused by a vision of life that is resoundingly and evidently false, but as this vision is not repulsive, but is intended to reassure, the lies don't produce anger or frustration. No, they bring on the laughs.

Name : Scott Foundas / Alias : Variety
Appealing performances by a trio of second- and third-generation Hollywood kids keep this three-hankie twaddle more bearable than it deserves, but "Ride" will surely go the longest with audiences for whom this is not their first Sparks rodeo.

Name : Colin Covert / Alias : Minneapolis Star Tribune
This is spoon-fed entertainment, but it tastes pretty good.

Name : James Berardinelli / Alias : ReelViews
As a romance, a drama, or even a sports movie, The Longest Ride never reaches a satisfying destination.

Name : Lou Lumenick / Alias : New York Post
Can the ailing Ira help the young lovers work things out in his limited time left on earth - or even afterward? Let's just say Sparks works up to an ending that's as shamelessly preposterous as it is predictable.

Name : Todd McCarthy / Alias : Hollywood Reporter
Just as the basic plot points are hard to swallow, even the most rudimentary aspects of the characters' interactions feel forced, artificial and unspontaneous.

Name : Claudia Puig / Alias : USA Today
The Longest Ride is sentimental, forced and silly, but it's sure to hit the bull's-eye with its intended audience.

Name : Barbara VanDenburgh / Alias : Arizona Republic
It's exactly what you'd expect, except executed with more-than-typical competence with the help of a few excellent actors and some gorgeously photographed rodeo scenes that capture the drama and thrill of bull riding.

Name : Amy Nicholson / Alias : L.A. Weekly
It's easy to tease a Nicholas Sparks movie. It's harder to admit that he's good at his niche - and has a string of 10 films, nearly all profitable, to prove it

Name : Betsy Sharkey / Alias : Los Angeles Times
The two-plus hours is mostly marked by an emptiness born of scene after scene designed to blatantly manipulate emotions rather than trigger them.

Name : Wesley Morris / Alias : Grantland
The Longest Ride has as much bull as the 10 previous Sparks adaptations. This is one of the few you can ride for longer than eight seconds.

Name : Jesse Hassenger / Alias : AV Club
Qualifies as one of the best Sparks films by virtue of not including any love-ghosts or destructive misinformation about how Alzheimer's works.

Name : Connie Ogle / Alias : Miami Herald
Merely adding an older generation of lovers to a love story does not make your romance one for the ages.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Look, it's easy to laugh at this stuff - that's part of the game, in fact. To buy into these movies, you have to buy into the silliness. But The Longest Ride, for all its ridiculousness, comes by its emotions honestly.

Name : Peter Keough / Alias : Boston Globe
It tries to bridge the gap between pop culture and cultural elitism, between high art and the common commodity that everyone else buys tickets to see. A worthy goal, but it results in a movie that has none of the virtues of either.

Name : Sandy Cohen / Alias : Associated Press
The film is likely to satisfy Sparks fans. And it brings something new to the romance genre: bull riding.

Name : A.O. Scott / Alias : New York Times
Fairly tedious, despite the charm and sincerity of the actors.

Name : Ben Sachs / Alias : Chicago Reader
Though Tillman doesn't quite elevate the maudlin material into serious drama, the result is uncommonly sensitive.

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