Name : A.A. Dowd / Alias : AV Club
Horror invades the proceedings, but it doesn't hijack them. The film continues to zig where others might zag.

Name : Neil Genzlinger / Alias : New York Times
The actors get a chance to create a real relationship, and they make the most of the opportunity.

Name : Alan Scherstuhl / Alias : Village Voice
The suspense and pleasure of Justin Benson and Aaron Moorhead's talking-and-tentacles horror romance Spring lies in discovering what shape the film is going to take.

Name : Tom Keogh / Alias : Seattle Times
This oddball film's mashup innovations often come at the price of storytelling discipline and, to some extent, common sense.

Name : Linda Barnard / Alias : Toronto Star
While not perfect, low-budget Spring takes welcome risks with the creature-feature genre.

Name : Joe Leydon / Alias : Variety
If Richard Linklater attempted a remake of Val Lewton's Cat People, the end result might resemble Spring.

Name : David Ehrlich / Alias : Time Out
Justin Benson and Aaron Moorhead's Spring is a clever and severely romantic creature feature that, not unlike its dim-witted bro hero, is in desperate need of a woman's touch.

Name : Trevor Johnston / Alias : Time Out
A cousin to Richard Linklater's 'Before Sunrise' trilogy, with little hints of Lynchian unease along the way.

Name : Colin Covert / Alias : Minneapolis Star Tribune
A landmark of irresistible weirdness, "Spring" brings horror out of its long winter hibernation.

Name : J. R. Jones / Alias : Chicago Reader
The protagonist of this low-budget indie is so well characterized that it might have developed into a straight drama instead of the horror movie it becomes, though of course that's the key to most good genre films.

Name : Rafer Guzman / Alias : Newsday
A potentially topical thriller marred by pandering dialogue and clumsy plotting. Spend your money elsewhere.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Unfolding in real time, Money Monster hints at being a more taut, topical thriller than it turns out to be. While always compulsively watchable, and often surprisingly funny, it loses some of its steam once it becomes clear where it's going.

Name : Peter Travers / Alias : Rolling Stone
Foster moves her film from a pulse-quickening nail-biter to an incisive look at a beleaguered America undergoing a crisis of faith.

Name : A.O. Scott / Alias : New York Times
You will not necessarily learn anything here about how TV or high finance really work, but you will be invited to enjoy the illusion of such enlightenment in the skilled and charismatic company of Julia Roberts and George Clooney.

Name : James Berardinelli / Alias : ReelViews
Unfortunately, despite a surfeit of talent in front of and behind the camera, the movie is unable to overcome a shaky narrative whose increasing preposterousness ensures it's difficult to take seriously.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Money Monster" is better than a mere statement of the times. It's terrific entertainment, and it deserves to be seen now.

Name : Moira MacDonald / Alias : Seattle Times
Ultimately, "Money Monster" is always watchable - but forgets to give us a compelling reason to watch.

Name : Stephanie Zacharek / Alias : TIME Magazine
Foster navigates the tonal shifts with ease, and her actors follow.

Name : Brian Truitt / Alias : USA Today
Foster has crafted a piece that, in places, proves to actually be funnier than might be expected, and she gets the most out of her fellow A-listers .

Name : Bruce Kirkland / Alias : Toronto Sun
The film could be better - and it should be better, considering the depth of the talent involved.

Name : Lou Lumenick / Alias : New York Post
A clever financial thriller with comic overtones that's a solid investment of your time thanks to stellar work by George Clooney and Julia Roberts.

Name : Kate Taylor / Alias : Globe and Mail
In a different year, Money Monster might just be another solidly entertaining thriller with an admirable script; in 2016, it feels like the movie of the moment.

Name : Matthew Lickona / Alias : San Diego Reader
One long series of narrative gotchas masquerading as moral or intellectual sophistication before finally revealing that it offers nothing more than world-weary sentimentality.

Name : Melissa Anderson / Alias : Village Voice
There's a lot of excitable talk about algorithms (or "algos"), the overuse of the term perhaps fitting for a film that seems to have been constructed not by humans but by binary code.

Name : Amy Nicholson / Alias : MTV
If Bernie Sanders is elected president, Money Monster will be the only movie allowed on Air Force One.

Name : Jesse Hassenger / Alias : AV Club
Money Monster should turn into some kind of a nail-biter, but Foster, a novice at suspenseful filmmaking, doesn't seem to know which screws to tighten or if screws even need tightening at all.

Name : Michael Phillips / Alias : Chicago Tribune
Clooney provides the glue. Like director Foster, he has a genuine interest in making commercial movies that matter, at least a little bit - movies that engage with questions of media hypocrisy and financial outrages.

Name : David Sims / Alias : The Atlantic
As its tense studio antics unfold, though, the sad truth becomes apparent: Money Monster is a movie-star vehicle that isn't giving its movie stars anything to do.

Name : Peter Rainer / Alias : Christian Science Monitor
Investing in this movie would not be a safe bet.

Name : Andrew Barker / Alias : Variety
The film hangs together surprisingly well, thanks to on-point performances from George Clooney and Julia Roberts, a sprinkle of obtuse humor and Foster's streamlined direction .

Name : Bill Goodykoontz / Alias : Arizona Republic
The film whirs along with such entertaining efficiency that you may not realize that, by the end, it has shifted its blame .

Name : Ty Burr / Alias : Boston Globe
It's well made, juicily acted, a fun watch, but for all its financial-vigilante noise, the movie's a slick Hollywood response to the depredations of Wall Street.

Name : Colin Covert / Alias : Minneapolis Star Tribune
While it often feels like Foster's instincts as a director outpace the abilities of her screenwriting team, what she delivers is infernally attractive.

Name : Dave Calhoun / Alias : Time Out
'Dog Day Afternoon' for dough-brains.

Name : Mark Jenkins / Alias : NPR
Plays it straight with a topic that in reality is far more twisted.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The movie itself feels a little out of date, taking place in the present, but emotionally invoking a world of Enrons, Bernie Madoffs, tech bubbles and Wall Street meltdowns.

Name : Steven Rea / Alias : Philadelphia Inquirer
Even if Money Monster ultimately gets held hostage by its plot intricacies, Clooney, Roberts, O'Connell, and Foster do their jobs. It's a movie worth investing in.

Name : Richard Roeper / Alias : Chicago Sun-Times
Sometimes very funny and occasionally legitimately tense.

Name : Todd McCarthy / Alias : Hollywood Reporter
An ordinary film about an extraordinary situation.

Name : Leah Greenblatt / Alias : Entertainment Weekly
As a solid B-movie elevated by A-list talent and pushed along by a brisk running time-it's only 98 minutes-Money has its own rewards.

Name : Joe Morgenstern / Alias : Wall Street Journal
A polemic disguised as a thriller .

Name : Lindsey Bahr / Alias : Associated Press
Money Monster might not be a great movie, but it is a comforting movie-movie that's still fun to watch even if it whiffed on being something more.

Name : Ann Hornaday / Alias : Washington Post
Not quite the sophisticated drama the era deserves, but not the usual adrenaline-addled genre exercise, either.

Name : Kenneth Turan / Alias : Los Angeles Times
A film that is both less entertaining and less significant than it imagines.

Name : Peter Howell / Alias : Toronto Star
It recognizes the inchoate anger of people who suddenly realize they've been duped by a fast-talking hustler who promised gold but delivered dirt.

Name : Christy Lemire / Alias : RogerEbert.com
Jodie Foster has directed a real-time drama that's lean, efficient and benefits from the enormous charisma of George Clooney in the starring role as a slick, smug financial pundit.