About S.o.s. Fantomes

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Comment For S.o.s. Fantomes Volledige Film In Catalan Ondertitels

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About Gods Of Egypt

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Screen Of Gods Of Egypt

Comment For Gods Of Egypt Official Full Movie

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
If it wasn't all CGI, I would have said I hope they saved the sets for another, better movie.

Name : Stephen Whitty / Alias : New York Daily News
Director Alex Proyas' movie feels like a bad video game.

Name : Alan Scherstuhl / Alias : Village Voice
As bad movies go, this one at least is all-in on its badness.

Name : Chris Nashawaty / Alias : Entertainment Weekly
A shoddy special-effects howler that makes a hash out of both Egyptian mythology and human logic.

Name : Michael Phillips / Alias : Chicago Tribune
Call it "Clash of the Whitans," and call it a folly that doesn't have the energy or delirium to qualify as entertaining crap. It's just crap.

Name : James Berardinelli / Alias : ReelViews
If one is going to make special effects the focus of a movie, they need to be good special effects, and that's not the case here. Proyas' ideas are never fully translated from imagination to screen.

Name : Justin Chang / Alias : Variety
This is by any measure a dreadful movie, a chintzy, CG-encrusted eyesore that oozes stupidity and self-indulgence from its every pore.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Butler charges around, flexing his muscles and growling, maybe throwing in a few snarls and snorts, and he's nothing but boring. He's the best thing in the movie.

Name : Rafer Guzman / Alias : Newsday
If it didn't make you constantly wonder whether some actors are standing closer to the camera than others, "Gods of Egypt" might pass muster as an occasionally lively and frequently campy B movie.

Name : Anna King / Alias : Time Out
It seems as though a decent chunk of the Gods of Egypt budget went toward Butler's skin bronzer - money that would have been better spent on the cheap-looking special effects, which appear to be culled from Ghostbusters II.

Name : Will Leitch / Alias : The New Republic
Gods of Egypt is a movie that requires more effort to sit through than it did to make it.

Name : Brad Wheeler / Alias : Globe and Mail
It's hard to take it all nearly as seriously as the actors (including a braided-pony-tailed, top-god-playing Geoffrey Rush in a spaceship!) do.

Name : Ignatiy Vishnevetsky / Alias : AV Club
A wannabe franchise-starter that feels like it was adapted from a tabletop role-playing game, with strict rules that need to be repeatedly stated out loud and a bestiary of creatures.

Name : Adam Graham / Alias : Detroit News
No one is confusing "Gods of Egypt" with strong storytelling. But for a mindless whir of crazy visuals, you can do a lot worse.

Name : Peter Travers / Alias : Rolling Stone
What raises Gods of Egypt above all other historically botched FX epics is the stupefying schlock of its visual effects, they're like something out of Video Aps for Dummies. Come back, Clash of the Titans, all is forgiven.

Name : Kyle Smith / Alias : New York Post
The "Battlefield Earth" of sword-and-sorcery movies.

Name : Jocelyn Noveck / Alias : Associated Press
Gods of Egypt is also a just plain bad movie. The plot is confusing, yet boring. The visuals look expensive, yet cheesily fake. And the performances are uninteresting, yet . well, they're just uninteresting.

Name : David Sims / Alias : The Atlantic
Gods of Egypt gets lost in its own budget, constantly shooting to outdo its visual grandeur but forgetting to lend it any depth. But there's a mad ambition at work.

Name : Scott Tobias / Alias : NPR
Many of the images in Gods of Egypt would make for a fetching prog-rock album cover, but Proyas has populated his digital paradise with banal characters, cherry-picked mythology, and a score just a few notes off from Lawrence of Arabia.

Name : Amy Nicholson / Alias : MTV
It's tempting to dismiss Gods of Egypt as the most perfectly bad film I've ever seen. But that's not fair. It's perfectly itself - a bizarre, yet cohesive, construction.

Name : Soren Anderson / Alias : Seattle Times
See it if you dare.

Name : Frank Scheck / Alias : Hollywood Reporter
Oh, dear.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Overstocked, overstuffed and overlong, "Gods of Egypt" packs a squadron of immediately forgettable mythological deities into 127 inefficient minutes.

Name : Manohla Dargis / Alias : New York Times
I enjoyed "Gods of Egypt" despite the lazily generic non-story, the dubious Eurocentric casting and (intentionally?) unconvincing effects that make you wonder (another imponderable) why they didn't just make this an animated picture.

Name : Peter Howell / Alias : Toronto Star
[An] ungodly jumble of a mortals-versus-deities rumble, placed in the time before the pyramids were tourist attractions.

Name : Alonso Duralde / Alias : TheWrap
Might have merited a so-bad-it's-good schadenfreude fanbase had it maintained the unintentional laughs of the first ten minutes. Instead, it skids into dullness, thus negating the camp classic that it so often verges on becoming.

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About The Divergent Series: Allegiant

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1. Click link/button before this section (WATCH/DOWNLOAD button)

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Screen Of The Divergent Series: Allegiant

Comment For The Divergent Series: Allegiant Cinemas Del Country

Name : Jesse Hassenger / Alias : AV Club
After about 30 minutes of agreeably junky sci-fi that often exceeds the energy levels of its predecessors, the inevitable happens: Allegiant becomes a Divergent movie.

Name : Ben Croll / Alias : TheWrap
Brings back the same cast of characters to do more or less exactly what they did in the previous films, only this time in sets with more sci-fi gloss than postapocalyptic grunge.

Name : Steven Rea / Alias : Philadelphia Inquirer
The worn and weathered third installment in the four-part film adaptation of Veronica Roth's postapocalyptic dystopian YA books.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The closing shot is pure marketing, reminding us that the final installment is still a year away. If you feel like there's no point in going through the motions any further, I agree.

Name : Randy Myers / Alias : San Jose Mercury News
The second to last entry in what is a so-so franchise, "The Divergent Series: Allegiant" is squirrelly, chasing from one big concept to another without satisfactorily executing most of them.

Name : Amy Nicholson / Alias : MTV
Divergent feels like a hasty idea scribbled on construction paper, crumpled into a ball, and ditched in a mud puddle. Even it can't tell what it wanted to say.

Name : Scott Tobias / Alias : NPR
Creatively speaking, if not financially, the Divergent series is less a franchise than a quagmire, an unwinnable war that nonetheless must be fought until the bitter end.

Name : Michael O'Sullivan / Alias : Washington Post
Nuance, subtlety, feeling - anything that might help an audience relate to what is happening rather than passively experience it, like a roller coaster - apparently are luxuries this movie could not afford.

Name : Michael Phillips / Alias : Chicago Tribune
It's a pretty dull picture, I must say, because it's my duty to say it. And it's a pretty dull picture, I must say, because something about its particular grade of dullness may cause memory loss.

Name : Matthew Lickona / Alias : San Diego Reader
There's a lot of standing and talking, a lot of clothes-wearing (and even some doffing), and a lot of very loving set design. What there isn't is tension. Or feeling.

Name : Jordan Mintzer / Alias : Hollywood Reporter
More like redundant.

Name : Soren Anderson / Alias : Seattle Times
A picture that crams elements of eugenics and dystopian fantasizing into a turgid sci-fi movie full of howling mobs, seemingly endless shoot-'em-up episodes, clunky-looking special effects and unconvincing relationships.

Name : James Berardinelli / Alias : ReelViews
Allegiant exemplifies what happens when a book or movie exists solely for the purposes of placating fans and maintaining a revenue stream.

Name : Peter Debruge / Alias : Variety
This first half of the artificially split two-part finally may diverge from Veronica Roth's source material, but doesn't necessarily solve its problems.

Name : Connie Ogle / Alias : Miami Herald
The film moves jerkily, in fits and starts, squandering its promising setup and bogging down in explanation.

Name : Bilge Ebiri / Alias : Village Voice
These movies were never going to transform cinema, but watching Allegiant, it's hard not to feel as if someone has pulled the rug out from under an otherwise modestly entertaining franchise.

Name : Ariana Bacle / Alias : Entertainment Weekly
Allegiant aches to be a thought-provoking, moving allegory of the current world. Instead, it's an unwieldy two hours too unintentionally silly to validate how seriously it takes itself.

Name : Julia Cooper / Alias : Globe and Mail
The movie desperately wants a sleek and goth-inspired aesthetic in the spirit of Rick Owens. What it ends up with is more of an unfortunate Anne Klein-meets-The Jetsons reality.

Name : Tom Huddleston / Alias : Time Out
Miles Teller is brilliantly typecast as a mouthy douchebag that no one likes.

Name : Mara Reinstein / Alias : Us Weekly
Let's be Candor: This franchise is tumbling downhill at an alarming speed.

Name : Tom Russo / Alias : Boston Globe
This setup creates real anticipation about where the story might be headed, at least for those who haven't read Roth's books. Frustratingly, though, the movie devolves into a derivative muddle by the second act.

Name : Jim Slotek / Alias : Toronto Sun
As always, the narrative mostly goes: fight, save Tris, Four and Tris kiss. Repeat.

Name : Jeannette Catsoulis / Alias : New York Times
A story that kicked off two years ago at a reasonable gallop has now slowed to barely a limp.

Name : Kenneth Turan / Alias : Los Angeles Times
Because the series' plot reveal turns out to be more confusing than compelling, and because turning a novel into two films invariably leads to inflated productions, only the most devoted fans of the book will pledge allegiance to what's on the screen.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Except in the highly visual or action sequences, Robert Schwentke's direction has a peculiar quality, in which you can almost hear him yelling "Action" and "Cut."

Name : Peter Howell / Alias : Toronto Star
The third and most useless chapter of the continuing sci-fi bloatfest called The Divergent Series.

Name : Bill Zwecker / Alias : Chicago Sun-Times
The special effects are among the more positive aspects of Allegiant, but those alone cannot rescue this highly flawed sequel.

Name : Stephen Whitty / Alias : New York Daily News
Woodley remains grimly committed, and Naomi Watts turns in a serious performance as our new, slightly more complicated villain, but the rest of the characters barely exist.

Name : Adam Graham / Alias : Detroit News
With this hapless entry, even fans of the series will have their allegiance tested.

Name : Bill Goodykoontz / Alias : Arizona Republic
If you think the name is inelegant, wait until you see the movie.

Name : Leah Pickett / Alias : Chicago Reader
This penultimate installment in the dour dystopian franchise offers stronger visual effects and more thought-provoking biopunk notions about genetic engineering than the two previous films, but even star Shailene Woodley looks bored.

Name : Peter Travers / Alias : Rolling Stone
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